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In the sequel to Blood and Faith, museum curator Lara Cole is sent to Oregon to review the progress of a developing art museum and cultural center. It should be routine, but instead she is chased, shot at, and forced to seek the help of FBI agent George Graham, with whom she survived a shoot-out in Russia during a previous assignment.
Messing about in the art world proves to be risky business that tests Lara’s grit and determination, and maybe, just maybe, rekindles romance.
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Lara Cole finds herself in possession of the world’s most famous, most holy and most valuable religious icon. But is it real? And, when both Russia and Ukraine are willing to kill for it, could it cost her her life?
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Poetry comes as close as language can to capturing that out-of-body lightness of swishing through the trees, of jumping off a cornice, of floating through the bottomless powder. This book is about joy and loss. It is about danger and consciousness. It is provocative, full of wit and insight, and helps us meet the challenges of self-discovery. Peak experiences give us a glimpse of a world beyond what our senses report. It is a world we can feel but not articulate; know but not describe. In the poet’s words, the sight is within us—speak and it is gone. The bliss of memory persuades us it is real.
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